Jack Cannon's American Destiny

Rachel Thompson

Showing posts with label epic fantasy. Show all posts
Showing posts with label epic fantasy. Show all posts

Saturday, August 30, 2014

HIGH MAGA #Excerpt by Karin Rita Gastreich @EolynChronicles #AmReading #Fantasy #BYNR

Rishona unclasped her cloak and flung it to the floor at Mechnes’s feet. “You are not to question my wisdom or my will in public. Ever.”
Mechnes could not help but smile at the sight of his niece, now a grown woman pretending to give him orders. “With all due respect, San’iloman, I am your military advisor. It is my duty to speak my mind when the weight of my experience contradicts your rather naïve instincts.”
She moved to strike him, but he caught her wrist and forced her arm until she gasped. “It is a little early in the day to start with these games, my Queen. But if you desire a spark of conflict to brighten this weary morning, I am more than willing to please you.”
Rishona kept her eyes hard as stone and her voice taut with menace. “Speak your mind, Mechnes, but do so with discretion. I will not have our disagreements heard by those who would use them to spread malicious rumors against me. Nor will I have our men, who have struggled long and hard up this wretched pass, fall victim to any suspicion that our unity of purpose is wavering.”
He brought her body tight against his, let his breath fall upon her silky skin until he felt a shiver pass through her, followed by the softening of her shoulders and the almost imperceptible tilt of her face that always preceded that ardent kiss.
Before their lips met, he released her. “We must open up this road if we hope to bring a proper army through it.”
“We cannot bring down any more trees,” she insisted. “We are undermining the power of this forest. We need its magic for everything that is to come.”
“This is a very big forest.” He drew out one of their maps, passing his hand over the moss green crescent of impenetrable woodland that swept north toward East Selen and south along the foothills of the Paramen Mountains. “And a very small pass.”
Rishona stared at the map, lips protruding in that familiar charming frown. She rubbed her arms to ward off the damp chill. Noting her discomfort, Mechnes retrieved a dry cloak and placed it about her shoulders.
“I hope you are right,” she said. “It is just that every time we bring down one of those trees, I feel strength torn out of the earth. I fear I went too far by clearing the valley where my parents died.”
“You are Syrnte, Rishona. Your magic derives from the air.”
“Yes, but these creatures were not banished to the Underworld by Syrnte magic. They were imprisoned by the mages and magas of Moisehén, and they must be summoned by the same powers. I will need the air to anchor my spirit when I summon them, but without the earth I cannot control them.”
Mechnes narrowed his eyes. “If you have doubts regarding your ability to manage these beasts, you should have mentioned them before now.”
“I have no doubts.” She looked up at him, defiant. “I know how to gratify the Naether Demons and bring them into our service. But there are many elements involved, and they must be integrated carefully. No one has attempted this before, uncle. Or if they have, they failed miserably, and hence we know nothing of their fate.”
“Are you ready to summon these beasts or not?” He did not bother to hide the threat in his tone. Already he had poured tremendous resources into this conquest. He would show no mercy if she had deceived him.
Rishona straightened her shoulders, expression resolute. “Yes, I am ready. For tonight, I am most ready. And for what is to come, I have time to prepare.”

Lands Ravaged. Dreams destroyed. Demons set loose upon the earth.
War strikes at the heart of women’s magic in Moisehén. Eolyn’s fledgling community of magas is destroyed; its members killed, captured or scattered.
Devastated yet undaunted, Eolyn seeks to escape the occupied province and deliver to King Akmael a weapon that might secure their victory. But even a High Maga cannot survive this enemy alone. Aided by the enigmatic Mage Corey, Eolyn battles the darkest forces of the Underworld, only to discover she is a mere path to the magic that most ignites their hunger.
What can stop this tide of terror and vengeance? The answer lies in Eolyn’s forgotten love, and in its power to engender seeds of renewed hope.
HIGH MAGA is the companion novel to EOLYN, also available from Hadley Rille Books.
Buy Now @ Amazon & Kobo
Genre – Epic Fantasy
Rating – PG-13
More details about the author
Connect with Karin Rita Gastreich on Facebook & Twitter

Friday, August 22, 2014

Dean Wilson on The Plotter vs. The Pantser #AmWriting #PubTip #Fantasy

There are three primary schools of thought when it comes to writing a novel, pointing to the two extremes available, and the road between them. The two diverging ways are affectionately called the Plotter and the Panster, while the third way is largely unnamed, being a mingling of the others.
The Plotter creates intricate plans of how the story will be told, from chapter summaries to, in the more extreme examples, a synopsis of the entire book, scene by scene. An author with this approach might spend just as much time with the outline, rewriting and revising it, than the finished product itself. The framework is put firmly in place, and then the rest is filled in until the book is complete.
The Pantser, on the other hand, takes the opposite approach. A theme or character might pop into mind and the author sits down and goes with the flow, seeing where it brings him or her, often being as surprised by the story as the reader will be later. In some cases the author does not even have any sliver of an idea for the book at all, but simply opens up a blank page and begins an exercise almost like automatic writing.
My experience and research suggests that authors are usually somewhere between these two extremes, rarely entirely at one end or the other, but that we tend to lean more towards one approach, while in some cases the preference depends on the book in question.
A good example of the ambiguity of approaches to writing is J.R.R. Tolkien, whom many would, at the outset, consider a Plotter, given the sheer volume of planning that went into The Lord of the Rings and his other writings, not to mention the numerous appendices.
However, his own words speak differently. In his Foreword to The Fellowship of the Ring, Tolkien said: “This tale grew in the telling…” He clarified later: “As the story grew it put down roots (into the past) and threw out unexpected branches: but its main theme was settled from the outset…”
Here we see then that Tolkien, like many writers, had a primary idea in mind, but did not know all of the details before the writing process began. When the pen was put to the page, with the intent of driving a character to a particular event or experience, things began to take shape in unintended ways.
Personally, I usually come up with a seed idea, something that thematically sets the stage for everything that will follow, or, as is often the case, precede it. The thought that will germinate into a story for me is often how it ends, and I work backwards in my mind to where the story must start in order to bring about that ending. With the A and Z in place, there is sufficient confinement, a reasonably wide, yet not too broad, vessel in which to contain the story; many, and perhaps all, of the letters in-between remain unknowns until they are encountered.
Likewise, a story may begin with a character, who is then dropped into a world or placed in a scenario in which they, with their unique personality, must respond. Often the thoughts, words or actions of these characters are initially shocking to the author, yet make perfect sense in retrospect, when the author considers that the character, with his or her various personality quirks, can act no other way. Thus the character comes alive and drives the story, while the author merely records it, hoping to capture the events as they unfold, and hoping to deliver to the reader something approximating the experience the author undergoes—the experience of life and living, through the eyes of another.

THE DYING BREATH. THE DYING WILL. THE DYING HOPE.
After the catastrophe of the Call of Agon, Ifferon and his companions find themselves in the unenviable situation of witnessing, and partaking in, the death of another god—this time Corrias, the ruler of the Overworld.
With Corrias locked inside the corpse of the boy Théos, he suffers a fate worse than the bonds of the Beast Agon. Yet hope is kindled when the company find a way to restore the boy, and possibly the god, back to life.
The road to rebirth has many pitfalls, and there are some who consider such meddling with the afterlife a grave risk. The prize might be life anew—but the price might also be a second death.
Buy Now @ Amazon
Genre - Epic Fantasy
Rating – PG
More details about the author
 Connect with Dean F. Wilson on Facebook & Twitter

Thursday, March 13, 2014

Emerge: A Galatia Novel (The Galatia #Series) by C. D. Verhoff #Fantasy #SciFi

Josie and Lars had known each other forever, but had never been more than acquaintances. Luke, however, was in her grade. Lars’s impression was that the girl wasn’t very popular at school. She was really cute though, so he didn’t understand why. 
“Hey, Luke, what do you think of Josie Albright?”
“Josie?”
“Yeah.”
“She’s super smart—wants to be a chemist—probably just so she can blow up stuff.”
“What I mean is she nice, is she stuck-up, or what?”
“She’s a whackadoodle.”
“What makes you say that?”
“Josie’s not like the other girls.” Luke shrugged. “I mean, she’s into weird things.”
“You mean like her questionable taste in literature?”
“No, well, that might be part of it. She actually tries to be geeky. She thinks it’s cool to be the outcast, I went to a party where she sat in the corner reading a book and smoking a cigarette, like a nerdy girly James Dean or something.”
“I’m not following.”
“She acts like the popular kids are shallow and stuck up, so they’re beneath her. But she’s being just as stuck up. Josie’s not as good-looking as Feenie or Jo, but she’s definitely an Albright—as in not ugly, so the geeks find her too intimidating to hang out with. It’s her own darn fault that she only has a couple of friends. Had. I think they both died in the bunker.”
“I think she looks a little bit like Vivian Leigh.”
“That lady in Gone with the Wind?” Luke’s eyebrows arched. “Oh, man, Lars—don’t tell me you’re crushing on weird Josie Albright?”
“It’s not a crush exactly—let’s call it mild interest.”
“Mild interest.” Luke rolled onto his back, holding his belly, as he laughed. “Is that what they’re calling lust these days?”
“You heard about how she saved that little girl from the river crocs?”
“Yeah, that was pretty cool.” Luke thoughtfully stroked his pretend mustache. “Superhero Vivian Leigh?” he teased. “Maybe I ought to reconsider my stance on dating whackadoodles.”
“Don’t even think about it.” Lars scowled at his brother. “If you try to steal her out from under me, I’ll be really pissed.”
“If this is how you react when mildly interested in a girl,” Luke scanned Lars sardonically. “I’ll hate to see what you’re like when it’s true love.”
“Shut up and help me figure out if I should ask her out.”
“How are you going to take her out somewhere? It’s not like there’s a theater or a café around the next corner.”
“I thought maybe I could ask her on a picnic—what do you think?”
“Rumor has it that Josie Albright only likes girls. Short hair? Hoodies? What are we supposed to think?”
“You mean she’s a lesbian?” Lars felt his stomach sink in disappointment. “Are you sure?”
“There’s only one way to know—ask her out, bro.”
SF covinggton cond- Emerge-for kindle (1)
The last survivors of the human race are riding out nuclear winter in an underground bunker when disaster strikes. Forced to the surface centuries ahead of schedule, what they find blows their minds. Who can explain it? Two social misfits work together to unravel the mystery.
After living in a posh underground shelter his entire life, Lars Steelsun is plunged headfirst into a mind-blowing adventure on the surface of the Earth. As Lars and his displaced bunker mates are led across the grasslands by Mayor Wakeland, a man of questionable sanity who claims to talk with God, they discover a primitive world where human beings are no longer welcome. Even more mystifying is the emergence of new senses and abilities from within. Learning to use them has become a priority, but his biggest challenge comes from the vivacious Josie Albright. Her lust for glory is going to get them both into trouble. Sparks fly when her gung ho ways clash with his cautious personality. Can they overcome their differences to find love and a homeland for their people?
May not be suitable for younger readers. Contains mild profanity, sexual situations (infrequent), and violence. 
Buy Now @ Amazon
Genre - Epic Fantasy
Rating – R
More details about the author
Connect with C. D. Verhoff on Facebook & Twitter

Thursday, January 2, 2014

Dora Machado – How Fantasy Meets Reality and Reality Enhances Fantasy @DoraMachado

How Fantasy Meets Reality and Reality Enhances Fantasy

by

Dora Machado

Fantasy is a subversive genre, requiring the mind to bend and the imagination to flex. I love the genre’s creative freedom, the opportunity to rethink, redesign and reinterpret the human experience in fresh and diverse settings, and the mysteries that magic brings to the human equation. But above all, I love realism in fantasy—the idea that even the most powerful magic is grounded to our sense of self, fueled by the choices we make, and rooted in the people we are. To me, a dose of gritty realism authenticates a story, validates my characters, and makes my worlds “real.”

This is exactly what I’ve tried to do in my books, and my latest novel, The Curse Giver from Twilight Times Books, is no exception. The Curse Giver is about an innocent healer named Lusielle, who is betrayed and condemned to die for a crime she didn’t commit. When she’s about to be executed, Lusielle is rescued from the pyre by an embittered lord, doomed by a mysterious curse. You might think that Bren, Lord of Laonia, is Lusielle’s savior, but he isn’t. On the contrary, Bren is pledged to kill Lusielle himself, because her murder is his people’s only chance at salvation. Stalked by intrigue and confounded by forbidden passion, predator and prey must band together to defeat not only the vile curse obliterating their lives, but also the curse giver who has already conjured their ends.

The quickest and most effective way of establishing a link between fantasy and reality is by connecting the story’s main themes to humanity’s enduring themes. The Curse Giver, for example, is inspired by our ancient, deeply rooted belief in the power of curses. You can find curses in every culture on earth. It’s one of those concepts that transcends background and ethnicity and binds us to our original ancestors. It’s primordial to the human experience.

In more concrete ways, reality betters fantasy when it comes through in the details. Settings provide great opportunities for realism. For example, The Curse Giver‘s river-centered world is inspired by the great American waterways, including the Colorado River, which I have rafted often, the Mississippi River, which I’ve had the opportunity to explore, and the Amazon River, which has always intrigued me. Setting and landscapes offer some great opportunities for realism in fantasy and so does geography, especially when the details are vivid, concrete and deeply woven into the heart of the story.

But ultimately, real characters make real worlds. Realism achieves its maximum expression through the human experience as characters tackle the story. In The Curse Giver, Bren, Lord of Laonia, is a warrior. To be real, the concrete details associated with his trade have to be right. Research is fundamental. I relied on medieval primary sources to make Bren real. From his weapons to his fighting strategies, to how he thinks and acts—everything about him has to be consistent and make sense, even if he exists in a fantasy world.

The same is true about my heroine, Lusielle. By trade, she is a remedy mixer, an ancient occupation to the human experience. I spent a lot of time researching medieval medicine, herbalism and the historical use of healing ingredients. Lusielle’s potions and ingredients—the concrete elements of her practice—make her more real to the reader, more credible and therefore more compelling as a character.

But beyond the details, what makes these characters real is their willingness to make choices, fail, cope, learn, adapt and change; to establish emotional connections and engage in each other’s quests; to suffer loss, grief and love, just like we do in the real world.  Magic is a powerful element in fantasy. No doubt about it. And yet ultimately, what matters most is the strength within. In the end, realism in fantasy is all about connecting with the powerful reality of our own humanity.

****

Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats.

To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at Dora@doramachado.com.

For a free excerpt of The Curse Giver, visit:  http://twilighttimesbooks.comthingsTheCurseGiver_ch1.html.

E-mail:Dora@doramachado.com

Website: www.doramachado.com

Blog: http://www.doramachado.com/blog/

Newsletter: http://doramachado.com/newsletter.php

Facebook: https://www.facebook.com/DoraMachado101

Twitter: https://twitter.com/DoraMachado

The Curse Giver’s Buy Links:

Amazon: http://amzn.to/13oVu2P

Barnes & Noble: http://bit.ly/16EbUzM

Romance eBooks: http://bit.ly/14TXNbC

Suggested tags:

Dora Machado, The Curse Giver, fantasy, dark fantasy, romantic fantasy, fantasy romance, romance, epic fantasy, paranormal, paranormal romance, romance writing, fantasy writing, Twilight Times Books, Stonewiser.

Curse Giver

Buy Now @ Amazon

Genre – Fantasy/Dark Fantasy

Rating – PG-18

More details about the author

Connect with Dora Machado on Facebook & Twitter

Website http://www.doramachado.com/

a Rafflecopter giveaway

Saturday, December 28, 2013

The Curse Giver by Dora Machado @DoraMachado

* * *
Lusielle waited until the lady and her bodyguard left the room before she stole out of the bed. She stood up slowly, testing both her feet and her balance. The soles of her feet protested slightly as she pressed them to the floor, but then went numb. She tried taking a step.
The jars and bottles crowding the nightstand wobbled when she steadied herself on the table. She spotted an open jar. A quick whiff revealed the presence of cat’s claw, mixed with high quality fats and scented with lavender’s extract and a touch of calendula to ward off the festering. Upon further inspection, she recognized several kinds of aromatic oils to promote quick healing and the laudanum tincture that was most likely responsible for her drowsiness.
The lady’s healers had used nothing but the best ingredients. No wonder her burns were almost healed.
Dragging the linen sheet around her body, she shuffled towards the ornately framed mirror leaning against the far wall. It was a shock to see her reflection in that long, gilded mirror, disheveled, gaunt and half-naked, like a frail, helpless fool.
Lusielle found the sight alarming, because with the exception of the small hand-held mirror her husband used to supervise her when she shaved him, Aponte Rummins refused to allow mirrors in his house. He thought mirrors spoiled women, aiding in the corruption of the feminine virtues he appreciated best—modesty, obedience and humility. Vanity, he’d often said, was a woman’s blight, and he intended to protect Lusielle from the sins it engendered, including pride, arrogance and wantonness.
Ten years she had lived under Aponte’s rule. Ten lost years she would never get back.
Until today, Lusielle had never had the time or the means to examine her body in front of a full-length mirror. Releasing the crumpled sheet, she found her legs too long, her frame too thin and her feet bound in clean bandages. She also spotted a dressing covering her back.
After undoing the knots, the bandages dropped to the floor. Then for the first time she looked—really looked—at her back.
A few crooked welts snaked between her shoulder blades, marking the trail of the lash. Her skin was still red, but it was healing in the spots where the braided whip had broken through. A messy bruise surrounded the mending wound midway down her back. Craning her neck, she spotted the darker pigmentation beneath the bruise, the faint but even outline of what looked like a small pair of butterfly wings imprinted at either side of her spine.
The gods protect her. Her body indeed wielded a mark, just like the lady said!
She suppressed a rush of fear and forced herself to think. Just because she bore a mark didn’t mean that everything the lady and her bodyguard had said was true. Lusielle might come from a modest family, but she was no ignorant wench. She understood that every cauldron cooked a different mix, more so if it entailed the mighty highborn. For reasons she couldn’t yet comprehend, the Lady of Tolone wanted Lusielle gone. Thus the boots and the gold coins.
On the other hand, why stay and run the risk that the lady was right on any count? The most compelling fact supporting the women’s warning was obvious. Her rescuer was a highborn lord. He had no reason to offer Lusielle his protection and no motive to save her life. She could be of no value to him, as she wasn’t highborn and she didn’t command a ransom.
Her husband had repudiated her. Her town had turned her out. Orell had tortured her. The magistrate had condemned her to death. Under the circumstances, it didn’t seem so far-fetched that when it came to her, the grim-gazed lord had no other purpose but sport.
Nothing good could come from staying with these people.
She sensed the danger all around her. Sure, she couldn’t exactly go back home, but staying put offered more risks than advantages. She didn’t understand the Lord Brennus’s actions and she couldn’t even begin to fathom the lady’s motives, but she knew one thing—she had to trust her instincts. She had to leave.
But where could she go?
Lusielle knew she had to have a sound plan if she was going to survive. The last few weeks—no, the last ten years of her life—had taught her a brutal lesson. At sixteen, she had become an orphan and a bride. At twenty-seven, she was equally helpless and sentenced to die.
Despite her best efforts and sacrifices, she was still alone—as helpless, weak and vulnerable as she had been the day her parents died.
She wiped a stray tear from her eye. No more of that. She was done grieving, and she was tired of submitting and conforming.
She was determined to turn disaster into opportunity. To do so, she was going to have to carve out a spot in a world that had thus far refused to make space for the likes of her. She must go to the only place where she might have a chance to survive and maybe even thrive. It entailed a long and dangerous journey with no assurances, and yet it was her best—nay, her only—chance. She just had to figure out how to get there.
Her eyes fell on the money Tatyene had given her, the three gold coins glinting atop the pile of clothing on the bed. They offered a good beginning.
She donned the soft linen shift and put on the ruffled blouse and the brown skirt. She rolled the woolen hose over her bandaged feet and up her legs, then put on her boots, lacing them loosely. Because of her rescuer’s care, she’d had precious time to heal, and thanks to the healers’ efforts, her feet were mostly mended.
No excuses. This had to be done.
A quick look out the window confirmed that the rain continued to fall. She had no choice but to steal one of the oiled leather mantles she found conveniently hanging on a peg. Her eyes fell on the tray of food standing in the corner. Her stomach grumbled. After downing a bowl of broth in one long gulp, she crammed a buttered roll in her mouth and stuffed her pockets with a bunch of grapes and a few slices of ham. She would have to eat the rest on the run.
She went to the door, but hesitated at the threshold. She had a plan and she intended to follow it. But what if this Lord Brennus was simply a nice man, the last one remaining in this cruel, crazy world?
She recalled how well he had cared for her throughout their journey. Had it not been for him, she would surely be dead. Even her lips remembered his kiss’s generosity. After enduring Aponte’s harsh mouth, she fancied she could easily distinguish cruelty from kindness and voracity from honest passion. No, despite the lady’s warning, she couldn’t think of the lord who had rescued her as mean, vicious or brutal.
What if he had seen through the injustice that had befallen her? What if he had been the only person—highborn or not—willing to help her in the face of that injustice?
The risks were too many to ignore and the danger was too real to forget, but the Lord of Laonia had saved her life and even as she fled him, she didn’t have to join the ranks of the ungrateful.
Lusielle retraced her steps and rummaged through the desk. Although there was no parchment in the drawer, she found a quill and a little pot of ink. She jotted down a few words on her unlikely page and then made for the door.
She slipped out of the chamber into the corridor. She had no idea which way to go, but she had to find a way out of the seed house. Voices and lively music echoed from below. A carved stone banister overlooked the main hall. She peeked between the railings.
The Lord Brennus sat on a high-backed chair next to the Lady of Tolone across from a fire roaring in the massive hearth. He sipped from a gilded horn, listening to the lady’s chatter but staring at the fire with a sullen expression.
Lusielle could tell that he had recently arrived from whatever foray he had undertaken as his boots were wet and muddy. He was still wearing his greaves and his muscled breastplates, impressive leather-and-bronze chest armor strapped at the shoulders and embossed with swirling vines.
The music began. The tall, gaunt man who had accompanied the lord during their trip came into the chamber and joined some of the warriors who had ridden with them on the way to Tolone. She recognized their faces from her journey’s hazy memories.
Other people loitered in the great hall, the lady’s servants and retainers, talking, gaming and eating from the trays on the tables. The lady’s fierce-looking bodyguard stood behind her chair. Even the guards wearing Tolone’s colors seemed to linger in the hall, until a couple of them got up and headed for the stairs, reminding each other loudly that it was time to make their rounds.
Lusielle froze as the guards mounted the first few steps. She wasn’t sure, but she thought that the lady had spotted her, hiding behind the railings.
Without delay, the lady rose to her feet and announced that she was going to dance in ringing tones. Every eye in the room fell on the stunning woman, including those of the guards, who paused on the stairs to watch their mistress.
Lusielle crept down the hallway. She didn’t really trust the Lady of Tolone or anyone else for that matter, but she was determined not to waste her best chance to escape.
Curse Giver
Award-Winning Finalist in the fantasy category of The 2013 USA Best Book Awards, sponsored by USA Book News
Buy Now @ Amazon
Genre – Fantasy/Dark Fantasy
Rating – PG-18
More details about the author and the book
Connect with Dora Machado on Facebook & Twitter